From £24.99
From £24.99
This book explores parallel tectonic strategies in cinema and architecture, analyzing how films and buildings compose place, space, time, and narrative. Analyses of works by Hitchcock, Lynch, Corbusier, and Zumthor reveal characteristics transferable across disciplines.
Agencies of the Frame: Tectonic Strategies in Cinema and Architecture aims to explore parallel approaches to the conceptualisation and composition of place, space, time, materiality and narrative in cinematographic and architectural practices. Beyond drawing useful implications for design, the book investigates a range of themes to mobilise a reconsideration of cinema and architecture as non-representational practices. It suggests that films and buildings can be read and designed as assemblages not directed to the formal expression of meaning, but to the framing of strategic and enabling conditions of emergent sense, realised within the tectonic and material conditions of the cinematic and the architectural as such. Succinct analyses of precedents in film, music, painting and architecture are used to foreground tectonic and compositional characteristics related to spatiality, temporality and narrative that are transferable across disciplines and practices. The thematic framework of the book engages theoretical material by Heidegger, Simondon, Deleuze, Nancy, Agamben and Stiegler. Classical modernist and postmodernist films by Dreyer, Antonioni, Hitchcock, Godard, Paradjanov, Tarkovski, Herzog, Lynch and Heneke are analysed side by side with important traditional, modernist and contemporary buildings, including works by Corbusier, Scarpa, Lewerentz, Zumthor and Markli. Illustrated with drawings and photographs by the author, the book should be of interest to practitioners and students of art, design, cinema and the built environment who wish to expand the creative scope and resonance of their work.
The Venice Charter was meant to conserve traditional buildings, but has been misused to justify clashing new architecture in old places, attracting global condemnation. These essays explore how planning went wrong and how we can heal the mistakes of the past.
Through the lens of time, this book offers a new perspective on modern architecture. It challenges our understanding of modernity, sustainability, and tradition with original theories on longevity, conservation, and collective memory.
Reading art from a semiotic perspective, this book offers a new interpretation of Chinese landscape painting and outlines a new framework for contemporary semiotics and critical theory. Learn how to put theory into practice and acquire a new point of view in appreciating art.
The teaching of architecture and urbanism is in crisis, unable to respond to current problems like the human right to housing. This book of essays by international experts presents historical analyses, manifestos, and new objectives to address the challenge.
This book promotes formal methods for problem-solving in architecture and urbanism. It presents theoretically driven techniques, from millennial geometry to current shape grammars, to produce better solutions with less testing time in direct confrontation with reality.
This collection of essays presents innovative concepts to understand the spaces of the Americas through local lenses. Challenging canonical knowledge derived from outside the region, it introduces a new conceptual framework to analyze the spatial histories of the Americas.
Challenging the profligate building and urban development which severely impacts upon society and the environment, this study questions the ethics, equity and sustainability of overbuilding, thereby exposing a number of ‘elephants in the big green room’.
Architects draw to think and manage complexity. This collection of chapters and interviews frames a new critical perspective on drawing as a way to encourage spatial thinking and practice in architecture and urbanism, considering both historical and current uses.
After the great Abbey of Cluny was destroyed, its memory was resurrected. This study follows the discursive history of the site, investigating the role of memory in constructing the past and the concept of heritage in France.
This book explores a thematic approach to architectural design. It argues design is not the expression of meaning, but the framing of strategic conditions for emergent sense. For students and practitioners, it offers a framework to widen their creative scope.
Processing Your Order
Please wait while we securely process your order.
Do not refresh or leave this page.
You will be redirected shortly to a confirmation page with your order number.
