£83.99
£83.99
This book examines the historical and mythological themes in Giorgio Vasari’s Hall of the Elements paintings in the Palazzo Vecchio. It analyzes Vasari's contribution to history painting, his use of classical Antiquity, and the intricate relationship between patron and artist.
This volume examines the emblematic, historical, and mythological themes evident in Giorgio Vasari’s Hall of the Elements paintings, which functioned as the reception room of the Medici Apartments within the Florentine Palazzo Vecchio. In conjunction with the conventions of the decorative cycle, it analyzes Vasari’s significant contribution to establishing the history painting genre, achieving a balance between a camera picta and a camera intellecta, thereby fostering a cosmological narrative within a mythological frame. Furthermore, the book evaluates how Vasari incorporated classical Antiquity into his symbolic context. It also explores the intricate relationship between patronage and culture—specifically, the dynamic between the ruler and the artist—considered a humanistic endeavor during Italian Mannerism.
This pioneering book introduces the “feminine,” a dimension of film not reducible to women’s experience. Exploring this Jungian concept through movies spanning seven decades, it enhances the appreciation of film as a depth psychological medium.
This is the first monograph dedicated to Leonardo da Vinci’s commission for The Virgin of the Rocks, which he painted twice. It opens up Leonardo’s world and unveils the secret realms of human dissection and philosophy that inspired the creation of the painter’s two masterpieces
This wide-ranging collection breaks new ground in feminist film theory, offering close analyses of films from Hitchcock to 21st-century horror. Praised as a “splendid contribution,” it lends readers ‘new eyes’. “Should be required reading for students and scholars.”
Why did we evolve a sense of beauty? This book answers from the perspective of scientists with deep knowledge of the arts, weaving together experimental science with art, music, and more. They show how all our senses are similar under the hood in shaping our aesthetic experience.
This conference proceedings brings together researchers, artists, art historians, and activists to collaboratively map the uncharted territories of new forms of botanical knowledge, and to capitalize on contemporary art’s ability to productively unhinge scientific theories.
This publication focuses on the various vectors of visual communication, particularly contemporary brands as social phenomena, culture and the way people communicate and create meanings, from a designer’s perspective.
Millais exposes the myths that surround Le Corbusier, detailing the endless failures of his proposals and his projects and arguing that his influence on architecture was disastrous, as traditional buildings were destroyed and replaced by featureless boxes of varying sizes.
Redwood undertakes a close formal analysis of Tarkovsky’s later films. Charting the stylistic and narrative innovations in Mirror, Stalker, Nostalghia and The Sacrifice, he succeeds in shedding new light on these celebrated, but often misunderstood, masterpieces.
This collection of essays explores the enduring afterlife of medieval art and architecture. It examines how medieval works were preserved, restored, and appropriated from the 16th to 20th centuries to shape modern political, religious, and cultural practices.
This accessible collection offers a fresh approach to photography and literature. Essays by acknowledged experts consider both key literary figures, from Proust to Sebald, and photographic practitioners to give a commanding, ground-breaking overview of the subject.
This book presents Giorgio Vasari as an intellectual and philosopher, exploring how he transformed the artist’s role in 16th-century Italy. Vasari elevated their status from mere artisans to divinely inspired creators whose work conveys profound moral and intellectual messages.
This book provides new impetus to the study of female art. Through an analysis of Barbara Longhi’s paintings, it expands research beyond women’s lives and careers to look at the spiritual aspects of their work, revealing the importance of devotional art and female creativity.
This study of Edward Burne-Jones’s paintings explores his vision of nature. It reveals how he fused scientific observation with symbolic interpretation to create the fantastical landscapes and magical imagery of his allegorical, fantasy, and dream cycles.
This volume investigates Lavinia Fontana’s mythological paintings. The first female painter of sixteenth-century Italy to depict female nudes and mythological subjects, Fontana challenged the male tradition of history painting and paved the way for future female artists.
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