From £36.99
From £36.99
In the postmodern ironic music of composer Bojidar Spassov, old and new times, and cultural traditions emerge like carnival masks. This book is the first monograph on this paradoxical multicultural artist and the first attempt to shed light on the contemporary music of Bulgaria.
“Irony, a major aesthetic attitude in 20th century music, ceases to be irony if seriously discussed. I play with the myth, inventing it myself and using it only as an object of interpretation.”
This thought of the German-Bulgarian composer Bojidar Spassov sounds like a proclamation of the idea of postmodern irony that pervades all his work. Old and new times, cultural and national traditions, and archaic and modern sensibilities emerge like carnival masks through the ironic prism of his multifaceted music. The present book is the first monograph on this artist – a paradoxical multinational and multicultural phenomenon who developed in three geographical areas and three national cultures: Bulgarian, where he grew up; Russian, where his professional personality was formed; and Western European, where he found his own way among the countless aesthetic and compositional trends. This is also the first attempt to shed some light on a culture that is little known to the English reader – the contemporary music of Bulgaria.
This anthology of Ukrainian carols is a prism through which Ukraine’s history, culture, and vibrant spirit are revealed. It includes the original “Carol of the Bells,” music scores, translations, and the gripping narratives of choral activism that helped a nation survive.
Sonic Mediations is a collection of essays that invites readers to rethink mediation by examining the relationships between the body, sound, and technology. It addresses key questions about performance, perception, and the role of the listener.
Once a titan of opera, Giacomo Meyerbeer’s legacy was all but erased. Based on newly recovered private papers, this definitive biography reveals the man behind the myth, charting his downfall and modern rediscovery.
The first major book to apply the timely notion of “glocality” to music, it offers a distinctive theoretical perspective and advanced insights into how music is impacted by the interaction of global forces with local conditions.
This collection of essays provides valuable insights into the richness of sources dealing with music and musical performance scattered over 3000 years and covering a wide range of geographies, from Syria to Iberia, through Greece and Rome.
Ludwig Minkus is one of music’s biggest mysteries. An influential composer for Imperial Russia’s ballet, he was scorned by critics. Now his works Don Quixote and La Bayadère are taking the world by surprise. This study discovers the man behind the powerful music.
Pauline Viardot was a seminal 19th-century opera singer, composer, and teacher whose friends included Chopin, Liszt, and Wagner. Loved by Ivan Turgenev, she was a fascinating woman at the heart of her age. This volume covers her later years.
Esteemed composer Jennifer Higdon writes fascinating and profound choral music. This book explores her works, citing the extensive relationship of the music to the texts. It presents compositional characteristics, analysis, and insights directly from the composer.
The role of scents in opera and its influence on perfumery has long been neglected. In the first book-length study on the topic, Professor Mary May Robertson explores the previously undiscussed connection between the two, revealing their ultimate marriage in Operatic Perfumes.
This richly illustrated mini-dictionary provides a collection of portraits of the greatest singers of the French language and describes how they have contributed to the musical landscape in both France and the larger francophone community and the world as a whole.
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