In Germany, privately run boulevard comedy theatres attract larger audiences than state theatres. This book analyzes this unique phenomenon, exploring everything from its specialized plays and actors to its artistic management, production, and reception.
This essay collection analyzes recurring images of dismemberment on the western stage, from Classical Tragedy to contemporary drama. Contributors ask what a dismembered body means, revealing how drama’s dismemberment as a form challenges representation itself.
Postcolonial Artist
Irish Travellers have had little input into how they are represented. This book redresses this imbalance, exploring the Traveller experience through the musical oeuvre of artist Johnny Doran to outline the importance of cultural hybridity in postcolonial Ireland.
Pearce delivers sensible emergent aesthetics, explaining the processes that happen in human minds when we share ideas as works of art. He considers how this skews the orthodoxies of contemporary art with pragmatic wisdom about why representational art thrives in the 21st-century.
These essays engage with the connection between aesthetics and radical politics. Moving beyond Marxist approaches, they explore culture from other radical positions—anarchist, autonomist, and ecological—revealing an exhilarating break with earlier cultural critique.
Breaking Forms
During Ireland’s “Celtic Tiger” boom, a new theatre emerged to express radical social change. Rejecting literary tradition for physicality and visual performance, artists explored what words alone could not. Breaking Forms analyzes this pivotal movement.