This book explores the shifting portrayal of World War II in Hollywood films. Adopting a comparative study, it discusses WWII films made during the Bush administration after 9/11 and those produced during the presidential campaign of Obama.
Holocaust Film
Why is Holocaust film scholarship marginalized when the films themselves are so crucial to public awareness? This book explores the political and economic motivations for this paradox, connecting public debates over representation to the cinematic structures of key films.
The public does not desire horror, yet enjoys it in art. In the monstrous marriage of the abject and the sublime, this thrill transforms the spectator into voyeur or victim. Representing horror means rendering it enjoyable—a game of limits that are no longer limits.
How Pictures Tell Stories
Storytelling is often associated with words, but pictures tell stories too. This book bridges the gap between language-oriented narratology and art history, examining the narrative aspects of pictures from a cognitive and semiotic point of view.
A growing gap separates professional film critics from younger movie-goers. A new breed of critic is needed for this new generation of fans. This book examines five categories of film reviewers to help aspiring critics decide what type of critic they want to be.
Humoring the Other
Sanhaji presents an inquiry into the ways in which entertainment discourse extends beyond entertainment and its initial humorous function due to its political and ideological underpinnings. In doing so, he justifies the importance of taking such discourse seriously.
On stage, hunger becomes a powerful spectacle. This volume explores the paradox of the thinning body, revealing how staged starvation—material, spiritual, and emotional—has shaped powerfully transgressive dramaturgies throughout history.
Hunting the Collectors
This volume investigates Pacific collections in Australian museums and the diverse 19th- and 20th-century collectors responsible. Essays reveal the motivations that led to the preservation of a remarkable archive of Pacific Island art, objects, and documents.
Hunting the Collectors
Who were the collectors behind Australia’s vast Pacific collections? This volume reveals the complex motivations that shaped these remarkable archives of Oceanic art, a vital contribution to the worldwide renaissance of interest in Pacific cultures.
This book explores hypermodern documentary discourse through audiovisual analysis. Drawing on philosopher Gilles Lipovetsky, it provides a new understanding of the theoretical and aesthetic qualities of hypermodern documentaries within film and media studies.
Identity Mediations in Latin American Cinema and Beyond
This book explores how the flows of music, films, and artists shape cultural identities. It analyzes these transits, mainly in the Ibero-American space but also Soviet and Asian cinema, revealing cultural networks that extend beyond national borders.
This collection of essays explores the role of images and objects in the ritual practices of late Medieval and Early Modern Europe. The volume focuses on symbolic communication in Northern and Central Europe, including overlooked regions like Scandinavia and Poland.
Images of Conflict
Striking aerial views of war and its scarred landscapes are the focus of this unique book. For the first time, military historians, archaeologists, and anthropologists explore the history and technology of military aerial photography to reassess the landscapes of conflict.
Images of the City takes readers on a journey through urban landscapes across centuries and borders. These essays offer a truly interdisciplinary perspective on the city, providing essential reading for cityphiles everywhere.
Images of Thought
Read Indian, Persian, and European paintings through their composition, colour symbolism, and myth. This book provides the Islamic cultural contexts that inform the visual language, offering new ways of seeing and fostering transcultural understanding.
This volume addresses the representation of warfare, assessing the veracity of war images and their impact. War images may trigger horror or paradoxically attain sublimity, blurring the narrow margin between ethics and aesthetics, information, and propaganda.
Imaginaries Out of Place
These bold essays engage the question of transnational cinema in the context of Turkish national identity. This collection is essential reading for those interested in migrant cultures, hybrid identities, and new forms of belonging.
This unique collection of essays explores the relationships between power and culture in sub-Saharan Africa through its French-language literature and cinema. Its deft analyses move beyond the rhetoric of crisis to present a critical reflection linked to global culture.
Imagined Utopias in the Built Environment
Novakov surveys visionary architecture and urban planning from the 18th century onwards. She starts with the design of social space in Georgian-era pleasure gardens and ends with a study of modern Utopian groups that use early literary references as a focus for their societies.
Impossible Worlds, Impossible Things
These essays draw on a variety of critical approaches for a wide-ranging interdisciplinary discussion of Doctor Who, classic and new, and its spin-offs. This volume is accessible to everyone, from interested academics to the general public.
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