Chinese Export Paintings
This book deciphers the formula for market success of Chinese export paintings, a unique and misunderstood East-meets-West art form. Dr Maria Mok reveals the tactical artistic decisions that made these paintings best-sellers for Western customers in the 18th and 19th centuries.
This volume of conference proceedings discusses the role played by choir stalls in the conceptualisation of space within cathedrals, and the formal, stylistic and constructive motifs, models and solutions reflected in such architecture.
Christ of the Coal Yards
No one heard the shot. No one ever found the gun. This critical examination of Vincent van Gogh offers insights into his life and art, dispelling the myths that have no foundation and exploring his enigmatic and enticing personality.
Cinema and Evil
This book explores films that address the problem of evil, drawing on thinkers from Manicheanism to Arendt. It considers how filmmakers like Fritz Lang and Michael Haneke use “dangerous” films to task us with considering evil as our own responsibility.
Cinema and Intermediality
This book investigates what the “inter-” of “intermediality” entails in cinema. Essays explore how film positions itself “in-between” media and arts through analyses of directors like Hitchcock, Antonioni, Godard, and Varda.
Cinema and Intermediality (Second, Enlarged Edition)
This ground-breaking book explores the relationship between cinema and other arts. Through case studies of films by auteurs like Hitchcock, Antonioni, Godard, and Varda, it clarifies key ideas of intermediality and offers insightful analyses. Revised and enlarged edition.
Cinema and Its Representations
This book provides a rich, multifaceted approach to cinema. It presents a lucid account of twentieth century film criticism, contemporary sociocultural theories, and literary adaptation, essential for students of media and cultural studies.
Cinema and Politics
This volume presents varied approaches to the relation between cinema and politics, focusing on changing narratives and identities. It highlights filmmakers with ‘hybrid identities’ whose work goes beyond old limits toward the sensitivity of the New Europe.
This book analyses the dramatic changes AI brings to film: from content production and distribution to audience engagement. Moving beyond virtual actors and AI-generated scripts, it discusses the opportunities, ethical challenges, and legal, cultural, and economic implications.
Cinema, Television and History
Rethinking the relationship between cinema, television and history, this collection of essays explores how historical events are interpreted and adapted for the screen, as well as the work of the historian exploring the archive.
Evolution and I discusses and sheds light on human knowledge and evolution from a range of perspectives including morals and ethics, sex and gender, religion, artificial intelligence, and microorganisms, with often surprising conclusions illuminating who we are as humans.
Cinemas, Identities and Beyond examines how film represents and constructs identities, transcending national and temporal boundaries. This collection of essays challenges ideological paradigms and contributes to contemporary debates in film studies.
Cinematic Narration and its Psychological Impact
Using cognitive psychology, this book explores how cinematic narration impacts the spectator’s mind. It considers storytelling, conflict, suspense, and genre to outline a model for analysing how cinematic devices influence a viewer’s cognition, imagination, and emotion.
Challenging traditional film musicology, this book approaches the film score from practical to theoretical perspectives. Essays explore films from art-house to mainstream, and include interviews with influential composers Trevor Jones and Michael Nyman.
Discover realist painter Clark Hulings (1922-2011), an artist whose subject was work—daily life in ancient places grappling with modernity. This book highlights the beauty and empathy of his paintings and discusses the work ethic that took him to the summit of realist technique.
Close Relations
This book applies insights from the “spatial turn” to Greek and Roman theatre. It explores the complex interweaving of space-time, the relations between ancient theatrical space, and how it has been interpreted and transformed throughout history.
Collections reflect the passions of their owners, but how did people get to see them? This book investigates an understudied field: “access” to collections before public museums. The essays show there were diverse types of access that served a range of purposes.
For ruling houses, collecting was a political act driven by dynastic ambition. A family’s collection attested to the age and power of its lineage. This volume presents articles exploring this phenomenon from the Roman Republic to the eighteenth century.
This collection of essays highlights the enduring significance of provenance for historians, authentication, and law. It remains vital to ownership and topical due to ongoing debates over looted art and the illicit trade in antiquities conducted by terrorist groups.
Leading scholars explore the understudied history of collecting in the American South. This volume examines the rich Renaissance and Baroque art in Southern public and private collections, revealing how these works were acquired, curated, displayed, and preserved.
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