Performance Analysis
This collection of essays explores the connections between music theory, interpretation, and performance. It delves into performance studies—focusing on gesture, bodily movement, and emotion—and addresses artistic practices in the 21st century.
Performance and Culture
This book deals with performance in India, especially dance and dance-drama, as a narrative. It discusses the social equations and cultural ideas a performance portrays, often redefining well-known religious traditions in the process of performance.
Performance and Ethnography
This volume explores the intersection of performance and ethnography across dance, drama, and music. It champions an embodied, sensory ethnography that privileges encounters between researchers and participants to understand performance amid migration and commodification.
Performance of Public and Private Mining Firms in India
Are private mining firms in India better than public ones? This book compares their productivity, environmental, and social compliance. It finds private firms are more productive, but both sectors fail to comply with environmental and social regulations.
Performance Trends in Postliberation Zimbabwe
This collection theorises the dynamic ways Zimbabwean and African artists perform. It examines an interactive movement that fuses performer and spectator, while challenging the dominant Anglocentrism in critical performance pedagogies.
Exploring the body’s role in cultural memory, these essays consider how the body is a canvas for cultural meaning and a mnemonic for a shared past. Required reading for those interested in how bodies, both on stage and in everyday life, ‘perform’ meaning.
A definitive guide to high-performance marine vehicles. This volume explores the design, resistance, powering, seakeeping, and maneuvering of monohulls, multihulls, hydrofoils, and more, through cutting-edge theoretical and numerical analysis.
Performative Inter-Actions in African Theatre 1
This book explores how plays of the African diaspora acknowledge home cultures while interacting with host cultures. Contributions attest that the diaspora is not solely outside the continent, but can be found in performances within Africa that engage with the world.
This book set is a comprehensive exploration of African theatre on the continent and in the diaspora. Essays demonstrate how practitioners tackle colonial legacies and globalization, forging a thriving and distinctively African aesthetic.
Performative Inter-Actions in African Theatre 2
This collection explores how African theatre instigates social change. Contributions demonstrate the ingenuity of practitioners who adapt indigenous forms to engage with contemporary realities, creating an aesthetic that is identifiably African.
Performative Inter-Actions in African Theatre 3
This collection demonstrates the advances adopted by African theatre practitioners in tackling challenges like colonialism and globalisation. The essays re-conceptualise notions of drama and theatre, exploring space and challenging orthodoxy in evolving contexts.
Performative Plautus
Containing a foreword and preface by Barbara Cassin and Florence Dupont, this book provides a theoretical and philosophical framework for the analysis of Plautus within a performative and philosophical perspective on language and theatrical performance.
Performing Adaptations
This collection of essays and interviews assesses adaptation from the under-explored perspective of live performance. Gutsy scholars and artists demonstrate how adaptation can test and speak back to dominant models of creation, production, and analysis.
Performing Arun Sarma
This collection of essays on the life and works of renowned Assamese litterateur Arun Sarma pushes his legacy beyond linguistic and geographical barriers, generating a vibrant community of literary enthusiasts and a new body of knowledge on the theatre of Assam.
These essays explore theatre as a spiritual practice rooted in action and breathing. Performance can shift consciousness for both performer and audience, with healing effects that engage deeper levels of imagination where dualities disappear.
Performing Crisis
This book re-examines crisis and its presentation in theatre from diverse scholarly perspectives. It explores how artists use performance to negotiate identity, reimagine crisis, and facilitate survival, offering a theoretical and artistic inquiry into how we confront our times.
What cultural, social and political work do global networks accomplish? This path-breaking collection brings together scholars and activists to explore the multiple meanings and performances of global networks.
These essays explore how social identities like gender, race, and nation are imagined, performed, and questioned in literature, cinema, and visual culture. They also address identity in utopian and dystopian thought, imagining futures for belonging.
This volume investigates the myriad ways in which performance and gender are inextricably bound to identity. It shows how gender, performance and identity play themselves out, in order to illumine the very instability and fluidity of identity as a static category.
Performing Memories
Why is the contemporary world haunted by memory? This collection of essays explores the cultural and artistic tensions in representing the past. Scholars analyze how memory is elaborated, contested, and shared through literature, film, technology, and myth.
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