This pioneering book offers a statistical approach to analysing the styles of the Trinity of Carnatic music. It demonstrates that Indian music, adhering to the Markov property, is neither deterministic nor random, opening new avenues for research in comparative music.
L’Africaine
The genesis of Meyerbeer’s last opera, L’Africaine, is legendary. A glorious posthumous tribute, it was a favourite of tenors like Caruso and Domingo. This fascinating facsimile of the manuscript uniquely gives us Meyerbeer’s original intentions.
Giacomo Meyerbeer
Though Meyerbeer’s first opera, Jephtas Gelübde (1812), failed at its premiere, this score contains the seeds of his future greatness. It reveals his famed orchestral virtuosity and psychological exploration, pointing beyond Gluck toward Weber-Wagner.
Operetta
From 19th-century Paris to Broadway, this source book surveys operetta’s international schools and principal composers. It offers a chronology, biographical material, selected synopses, a discography, and a comprehensive index.
This volume presents the libretto for Meyerbeer’s final grand opéra, L’Africaine. A fictional treatment of Vasco da Gama’s voyage, it is a mixture of history and fairytale. In this edition, the original text and its English translation are on facing pages.