This collection considers how women writers subvert normative structures in their adaptations of fairy tales. Writers like Anne Sexton and Angela Carter reimagine the genre, long associated with conservative values, as an instrument for social critique of traditional structures.
Behind every crime novel is a family. Some are crime syndicates; others are dysfunctional, tearing themselves apart. Not everyone escapes alive. This collection of essays explores crime fiction, the family, and the disastrous impact society can have on personal relationships.
Garfield Lau investigates how the breakdown of the family and the conventional gendering of roles gives rise to terrorist violence as portrayed in various African Anglophone narratives by internationally renowned authors including Chinua Achebe, Doris Lessing, and J.M. Coetzee.
Fantasy, Art and Life
William Gray’s Fantasy, Art and Life examines how life is affirmed and enhanced through fantasy literature. Focusing on George MacDonald and Robert Louis Stevenson, it explores how their Scottish backgrounds shaped their engagement with “The Fantastic Imagination.”
Alexander uses Julia Kristeva’s theory of abjection to examine several works by British writers from the Restoration to the Romantic era, providing a constructive perspective for thinking about literary depictions of the self-in-crisis.
This book examines the changing roles of fathers in the nineteenth century as seen in Victorian authors’ lives and fiction. They explored conflicting expectations of fatherhood, yielding memorable portrayals and asking a question still relevant today: What makes a good father?
Faulkner at Fifty
This collection focuses on teaching Faulkner and shows how he used other writers to shape his craft. It brings together new ways of reading his works, transforming his fiction into new meanings for the twenty-first century. A tribute to pioneers in Faulkner studies.
Fear, Trauma and Paranoia in Bret Easton Ellis’s Oeuvre
Párraga studies the role fear, trauma and paranoia play in Bret Easton Ellis’ novels and collections of short stories. He shows that these aspects are fundamental not only to Ellis’ work, but also to contemporary American literature and, indeed, American culture and society.
Food is central to children’s literature. This collection examines the uses of food in books from the nineteenth century to modern fantasy, showing how it reflects society and culture and is used by authors to instruct and deliver moral messages.
This book analyzes Henrik Ibsen’s thinking on female subjugation and oppression in 19th-century society. Through a lens of his major plays, including *A Doll’s House* and *Hedda Gabler*, it explores his treatment of women and their harassment in every sphere of their lives.
Through an Irigarayan lens, this study explores how Carter, Atwood, and Byatt use genre transgression to forge a female subject position. It examines their distinct strategies for challenging a literary tradition that has historically denied women a voice.
Ferocious Things
It’s fatal making a fuss … .
In Ferocious Things, Cathleen Maslen shows how Jean Rhys’s inscription of feminine anguish is a literary transgression. Rhys defies cultural interdictions, and her work poses vital questions for feminist and post-colonial debates.
This book explores how fiction from 1850-1930 shaped perceptions of women’s roles. From suffrage to sexual desire, these essays examine how literature tackled ‘The Woman Question’ through female characters who sought to defy social constraints in ways still relevant today.
Fiction Unbound
This book shows how Bernardine Evaristo is not simply a “multicultural” writer. It reveals an author who questions concepts like “Englishness,” race, and gender, giving marginalized characters the chance to tell their own stories.
In today’s crime fiction, women are the criminals, not just the victims. The genre forsakes the simple “whodunnit,” instead exploring the lure of violence and leaving a chilling sense of unrest.
Nayebpour re-evaluates George Eliot’s The Mill on the Floss with the help of terminologies borrowed from cognitive narratology in order to shed new light on the significance of one-track minds in this narrative.
Fictional Portrayals of Spain’s Transition to Democracy
Walsh looks at a selection of narratives published in Spain during the transition to democracy and compares them with more recent publications. She notes how fiction brings an extra dimension to the recreation of the past, by adding imagination to historical fact.
This collection tackles the problem of fictionality and reality in contemporary theatre. It analyzes how phenomena like new media and post-dramatic forms challenge the basic dichotomy between the fictional and the real on which Western theatre is based.
Fighting Cane and Canon
This book explores the persistence of Hindi poetry in Mauritius through the work of Abhimanyu Unnuth. His writing captures a postcolonial people’s reevaluation of history, labor, and identity, raising crucial questions about language and canonicity in World Literature.
Finding the Plot
Plot is basic to our experience, yet criticism has often passed it over. This book redresses this neglect, bringing together international scholars to explore the pleasures of consuming stories across a variety of media. How do plots work and why do they matter?
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