£67.99
£67.99
After the fall of the Berlin Wall, Slovenian theatre redefined its social role. This first-of-its-kind collection reveals how artists tackled neo-liberalism, the migrant crisis, and social injustice to claim their place on the wider European stage.
This collection of essays brings in-depth research on the development of Slovenian performing arts in the last two decades, positioning it within the larger European theatre context. Through comparative case studies, the authors show the influence of postdramatic theatre and no-longer-dramatic playwriting and analyse the centre-periphery relationship, drawing heavily on the notion of the polycentric development of art. The essays show how Slovenian theatre redefined its social role after the fall of the Berlin Wall, turning to new themes, such as critiques of neo-liberal capitalism, the migrant crisis, social injustice, sexuality and ethics, in order to reconnect to its audience in Slovenia and abroad. Contemporary Slovenian theatre—with theatre creators like Tomaž Pandur, Dragan Živadinov, Mateja Koležnik, Tomi Janežič, Jernej Lorenci, Simona Semenič, Sebastijan Horvat, Oliver Frljić, Žiga Divjak and Katarina Morano—is undoubtedly a significant part of the European theatre scene and this book is the first to comprehensively present it to the English-speaking audience.
This pioneering book introduces the “feminine,” a dimension of film not reducible to women’s experience. Exploring this Jungian concept through movies spanning seven decades, it enhances the appreciation of film as a depth psychological medium.
This is the first monograph dedicated to Leonardo da Vinci’s commission for The Virgin of the Rocks, which he painted twice. It opens up Leonardo’s world and unveils the secret realms of human dissection and philosophy that inspired the creation of the painter’s two masterpieces
This wide-ranging collection breaks new ground in feminist film theory, offering close analyses of films from Hitchcock to 21st-century horror. Praised as a “splendid contribution,” it lends readers ‘new eyes’. “Should be required reading for students and scholars.”
Why did we evolve a sense of beauty? This book answers from the perspective of scientists with deep knowledge of the arts, weaving together experimental science with art, music, and more. They show how all our senses are similar under the hood in shaping our aesthetic experience.
This conference proceedings brings together researchers, artists, art historians, and activists to collaboratively map the uncharted territories of new forms of botanical knowledge, and to capitalize on contemporary art’s ability to productively unhinge scientific theories.
This publication focuses on the various vectors of visual communication, particularly contemporary brands as social phenomena, culture and the way people communicate and create meanings, from a designer’s perspective.
Millais exposes the myths that surround Le Corbusier, detailing the endless failures of his proposals and his projects and arguing that his influence on architecture was disastrous, as traditional buildings were destroyed and replaced by featureless boxes of varying sizes.
Redwood undertakes a close formal analysis of Tarkovsky’s later films. Charting the stylistic and narrative innovations in Mirror, Stalker, Nostalghia and The Sacrifice, he succeeds in shedding new light on these celebrated, but often misunderstood, masterpieces.
This collection of essays explores the enduring afterlife of medieval art and architecture. It examines how medieval works were preserved, restored, and appropriated from the 16th to 20th centuries to shape modern political, religious, and cultural practices.
This accessible collection offers a fresh approach to photography and literature. Essays by acknowledged experts consider both key literary figures, from Proust to Sebald, and photographic practitioners to give a commanding, ground-breaking overview of the subject.
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